In Strasbourg his “farmland” was the public space, which he cultivated with the curiosity and the automatic urge for imitation of the passing crowd. His poster panels could be seen for one day each on the Place Kléber and the Place de l´Etal, where Kunt was filming the voluntary protagonists from afar. An emulation of Warhol’s “Dance Diagrams” on the one hand and the joy and spontaneity with which the passers-by followed the instructions for the dancing steps on his panels on the other are the significant points of the artists most recent field operation.